Thursday, November 16, 2006

"The Imperfect Score"

Through forests dense and rivers deep,
O'er mountains high and wastelands wide,
He'd travalled a million miles
In thought and deed.
Chasing a possible future
For a past that tumbled o'er;
Present, slipping slowly by.
"And finally", he thought,
"The day of the reckoning
has arrived."

The warrior stands,
Sword drawn out.
But the bugle betrays.
The war was declared
"LOST!!" before it'd begun.
He laughs in quiet,
But simmers beneath.
He will not rest untill
He has conquered!!
Or is slain!!

Monday, May 01, 2006

"GLLACKCHIK"- Track change

This one’s inspired by my previous post- the one on trains, train journeys rather. Well, it all started like this. (I’m not sure where exactly to begin…especially because I don’t exactly know where I’m going to take you to)

Alright….Let me see…….

I was walking by the railway tracks the other day- a hot, summer afternoon, sun smiling nastily down… when I noticed- Two tracks seemed to merge into one, somewhere in the distance. And I thought, “Hmm.. interesting.” Then I notice. There was another one from the other side joining too!! On closer inspection, I learn they all met at a railway station just ahead. It felt like they were telling something… something…. But I couldn’t quite tell what.

Not knowing what the message from above was (it, most obviously, HAD TO BE from Above!!), I decided I’d distract myself with something lighter. It was the final scene from the early Manirathnam classic- MOUNA RAGAM. The train changing tracks is used metaphorically to signify a change in the direction of lives of a young couple, based on a choice they make. (They decide to live together!). Now surely, the thought of this romantic end din’t have enough weight in it to keep me glued to it for long, as compares to Kabali’s preoccupation with “choices” and where they lead one to. And the timeless philosophical question of the possibility of existence of “Parallel lives”.

Parallel lives”??- Now that sounds familiar. Sure does. One of my friends had a mail id by the name “Parallel existence”. Sounds intellectual. But he had another one- something absolutely crazy. It was called “and_the_mad_cap_laughed”. What could you possibly say?… Random??!!!… And someone special had a mail id saying “when_laughter_strikes”. One more of my friends’ ids said “try_to_mail_me”. And my friends’ sister had one called “please_let_this_work”. And an interesting blog by the name, “PARRALEL TRUTHS”. I always felt that these mail ids, however jolly or serious, actually said something in some way about the person who owned ‘em.

Hey!!!Now this takes me to a movie I very much enjoyed for more reasons than one- “15 Park Avenue”. The psychiatrist says to Shabana Azmi in a scene- Clothes form a very important aspect of a person’s self-image. They represent how one bonds with their external environment- society.” I, surely, agree! I remember the time a teacher of mine chided my classmate- Laskhmi Prasad- for wearing clothes that made him look good. Hahaha. Looking good is a big NO-NO in this part of the world you know. It has to be an accident … As my sister says, “Even if you look good and spend hours on end trying to get that socially accepted definition of a good-looker, you have to pretend you didn’t really have the time or energy (or of course the VANITY) to bother about it.”

The “consumerist culture” of today has oft been criticized for increased conspicuous consumption that has led to purchase and possession of things that are SUPPOSEDLY representative of one’s persona…”. Well…, Wasn’t man always guilty of this.?!!! Pick up a book on the customs of any of the peoples of the world. And there you have it. Cultures are identified by…………, ……….., ……., etc., Why single out the consumerist culture for blame???

That brings me to something I’ve been thinking about for a while now. Aren’t we always inhabitants of the world when the experts declare “These are interesting times!!!…….The world is in a state of flux!!!” I guess it makes one feel good to say so…and to hear it too. It makes some people laugh. I’m damn dead sure about that. Sometimes you’re sure of certain things….

One of my friends recently demanded of me when I said something I was damn-dead sure about, “How can you be so sure!!!???” I wish I could tell him I was sure (that) I was sure because I just was so sure (within the limits of my knowledge and understanding). I dint. He seemed pretty sure you shouldn’t be sure!! And I wondered how. He actually seemed pretty sure about a great deal of things- of how things shouldn’t be/ shouldn’t …… a whole lot of negatives.

I can’t believe how negative some people are!! Now that reminds me about my friend, Chirag’s most hilarious concept- that hate is negative love. Did I counter him?? Nah!! U bet not…Especially (despite the ludicrous nature of this law) because of its eerie reminder to me of the importance of the word “HATE” in my ideological lexicon. People always have funny ideologies- what they call ‘philosophy of life’. Some of them declare- “My philosophy is very simple!!!”. Then ……..they go on and on and on……. to elucidate actually how simple it is. My!! Really!!! They make it sound like they never wanted a philosophy anyway.

It’s to all those confused souls that Rand authored a non-fiction- “Philosophy- Who needs it?” Rand always provokes violent responses. I wonder if people care for her works for purely their literary merit. Honestly, would “Satanic verses” have been read with such interest had a Fatwa never been issued against its author??? It’s a quiz-question in primary school- “WHO WROTE satanic verses??”. So everybody grows up thinking its some great work of art. Is it really?? Is Rushdie truly a literary figure of importance???

His face somehow always reminded me of the cartoon-mascot used in an advertisement I watched as a child. It was for the product- Mango mood- a chocolate. It tasted just like the drink- Maaza. If people didn’t like the 'colas' and they were missing their favourite drink- Goldspot, they would take to drinking Maaza. I never liked the colas…. Unless they were mixed with alcohol. It takes away the POP-nature (with some pretenseful machismo in the form of gas) from the drink and gives it a slightly more acceptable……………………………………..........

Cheers, Subu.

Aah!! “Cheers!!!” is how my friend Iyer and I used to greet each other. Iyer got his name from a character in the movie “Nayagan”. Nayagan is based on the Godfather and has vital chunks borrowed from it. But Manirathnam lends it a charm only he can. And Kamal Hasan- hahaha. He’s still not been able to get rid of some of the traits he painstakingly acquired for this movie. The movie, though, stands out for just one aspect- the brilliant etching out of the character- 'Sakthi Velu'.

However, this is not the first time or the only instance in which 'Mani saar' has borrowed a concept. I wonder- if his movies are made into books (it never works this way, does it??), would he be examined in the same league as Kavya Vishwanathan???

Well, some people believe there’s nothing original in the world. That the best works are complex copies of simple ones. Or stylized adaptations of bare forms.
Shakespeare, they say ……………………………………………………….....


GLLAKCHIK
GLLACKCHIK
GLLACKCHIK
GLLACKCHIK
GLLACKCHIK

Tuesday, April 18, 2006

TRAINS of thought

“The child has grown
The dream is gone,
I HAVE BECOME COMFORTABLY NUMB!!!”


These lines from the genius of PINK FLOYD crystallize how exactly I feel. (For good or for bad I might add hahaha).

My dream when I was 7 was to become an Engine-driver. Need I say more about my love for trains…not to mention, train journeys?!! The former having now been consigned to part of the ‘Floydian dream’, the latter still remains.

At the onset of any journey by train, I’m struck by the most intriguing thought- There are so many people leaving. Some leaving home, some leaving for home, some on a holiday, on an assignment, in search of love, for revenge and some… they just travel.

- “What are they all thinking???”

And it’s never for too long that I’m allowed this luxury of contemplating on the profound. You’re at once greeted by the call of hawkers, vendors and the like- making for one of the most unique and amusing auditory experiences.

“People are strange when you’re a stranger
Faces look ugly when you’re alone.”

It’s a work of art really from the late Jim Morrison to have the captured the inherent xenophobic in us in such simple poetic beauty. Strangers come aplenty on trains and interactions with them are more the norm than the exception.
Friendly smiles, inviting glances, polite postures, reassuring gestures, pleasant perfumes, inclusive offers, understanding silences- they’re the stuff of enjoyable train journeys.

However, there is the proverbial ‘other side of the coin’. As they say, there must be “spaces” between friends…even in intimacy. It applies quite literally to this context. As fighting over luggage space is not the most unusual first exchange with a fellow passenger. That’s why I believe…As for bonhomie with strangers on trains, the farther you sit from them, the better your chances.

Discomfiting eyes, grouchy faces, caustic tongues, obtruding elbows, intruding knees, protruding bums, insecure (& ultra-defensive) ways- they’re as much part of these journeys as anything (or anyone) else. Then, there are some of them…-vacant faces, lost in thought, too caught up with themselves to seem friendly, or, otherwise. They look like lonely tracks…ones that lead to nowhere.

Still knowing, I am driven sooner at times by these infinitely quirky dynamics with fellow passengers to something I love doing even otherwise…

I’ve always been fascinated with standing at the door of the carriage- an experience decidedly superior to peering out the window. And one you’re most likely to miss if you’re traveling by AC (first class). As I gaze out aimlessly, mountains and lakes slip quietly into the past. Trees and shrubs jostling against each other in the wilderness are left behind in a hurry. Lonely wells, huts that look like rectangular faces wearing drooping hats, small and proud houses, smoking factories- all leading an existence of their own…a world of their own. Minarets and gopurams of little mosques and temples jump out of obscurity- as reminders of things that exist beyond our line of sight…and return to their positions in space and time as the ENGINE chugs along- a sight to behold indeed. You can catch him at curves in all his fiery grace, pulling along with him the weight of the entire train…and the rest following in obedient precision.

Trains in India have never been known much for their speed. Even the fastest ones (or the ones known to be so) are only what I call- “the Earliest ones”- they have the right of way at most signals and check points- and are not necessarily faster than their counterparts, much less match their western counterparts on grounds of speed. Nonetheless, if this is all you’ve seen, it’s quite an experience when the train’s hurtling down at around a 100 km/hr— standing at the door, fists clenched tightly around the yellow vertical supports, wind and dust beating against the face. It’s amazing how conscious one feels of LIFE when in risk of losing it (Higher the risk, the higher the consciousness.), when the present is so markedly short-lived (that) you can comprehend its beauty only in retrospect…
…Until you’re jolted by the burnt smell emanating from wheels grating against the tracks under the duress of brakes.

Apart form the hordes of huts you find at the edges of a city- like sores on neglected feet- huts appear only sporadically en route; in pockets- as clusters. A little wave of my hand….and the spontaneous joy-filled reciprocation form children and adults alike, along the tracks makes me wonder… wonder if it’s the safety of distance that allows for those smiles…If these faces would still continue to wear those warm, beatific smiles if I were to walk up to them and…

And to add to one more delightful illusion of the eye is the sight of birds flying in the sky. As the ones flying along the direction of the train are left behind, they happily create the illusion of the birds flying backwards, while the tension in their bodies unmistakably indicates forward motion. On the other hand, the ones traveling against the direction of motion of the train could easily lead one to believe they’re in a race powered by either love, whisky or drugs (or a combination of these or anything else… but intoxicated by something wild for sure).

Just when my legs remind me (that) it’s not too bad an idea to warm my seat a bit (I’ve paid to sit in any case), I happily remember (that) I could resume with reading the newspaper (MY newspaper) from where I’d left off. But on returning, I’m greeted by the sight of this portly gentleman who fought valiantly with me for some ‘space’ for his water bottle, so completely lost into the newspaper- MINE- the paper which I painstakingly and thoughtfully bought myself at the station before we departed. And SUDDENLY!!!—He’s courteous enough to make way for me to enter the cube and why??---even rest my butt!!! He’s so polite (that) he knows he has to exert a bit to make way (but that’s fine by him of course for the darling he is) but is tooooo engrossed in the paper to realize he has to return it….or even offer to do so. And he’s the gentleman who sat there in the coach for close to three quarters an hour before the train departed from the station…the same gentleman who wouldn’t bat an eyelid when the vendor came selling, screaming—“Papaar…papaar….Hindu, Indian express, Deccan chronicle, Dinna malar……..”. But responded promptly to the subsequent calls- “Coffee”, “Tea”, “Idli vada”, “Pongal”, “Tomato soup”……and finally “Briyani”. Everyone remembers Newton’s third law. And this unfettered eating didn’t go without its effects. Only I wonder if he suffered quite as much as some of us others did form the effects of the gradual but definite breakdown of carbohydrates, fats, minerals and I wonder what else. (Don’t think it had much of proteins though, what he ate.)

During such times, you’re really hoping it’s not a 'Dry Day'. There HAVE to be at least a few pretty faces along the length of the train. But one never knows…how chance sometimes conspires to produce the most extraordinary days…-when it’s raining beauty on the train.

Once you’re in it, you never know how it goes by…unless you make time to tell yourself every now and then. When the signal glows a final red, the wheels screech one last time, …there are new sounds,…new smells,….a different landscape… An end!!! A beginning….

I see faces again.

And I’m thinkin’…………………………………..

P.S.

1) This one's for Kabali and Me.
2)One of my best train journeys was on our tour to the north of the Vindhyas (Delhi, Agra, Amritsar, Kulu, Manali) with Kabali, Kaaakaa and friends. Kabali (Karthik Gopal)and Kaakaa (Vikram) get a special mention as i spent 80% of my time with them.

Sunday, March 05, 2006

“TO PEOPLE, WITH LOVE”

We have all, at some point or other, been at the receiving end of communication done en masse. All it takes is a little poke to get people pour forth in amused disbelief and wondrous merriment at the inimitable creativity and incredulous ingenuity of copy-writers world over. I will, although, stick to what I have seen, rather than heard (about).

1) It was one of my friends- prashanth’s (kumbhi, to those who know him) idiosyncrasies to patronize the most bizarre eat-outs in Chennai. And as in most cases, while he gobbled in, I simply watched (all one could do as the master ate). However, in tune with the commonly held superstition, or what was just plain simple decency, I looked not at his plate…, but around. And noticed some of the funnier things I have, as an urban earthling.

A fast-food-on-wheels named ‘Disney’ (one of his favourites, apparently), had on its menu the exotic roadside Chennai speciality, spelt—

“GOPI MANGURI”… priced, then, at Rs. 20.

The comic irony stretches way beyond the horrendous hilarity of the spelling of the all popular GOBI MANCHURIAN. An obvious part of the self-styled Indian-Chinese cuisine (with an obvious reference to the Chinese region of Manchuria), there has been, as it happens, no dish in China’s culinary history by this name!!!

‘Balaji Bhavan’ (Besant nagar, Chennai) - another of Kumbhi’s favourites, said under the title “NORTH INDIAN DISHES” on its menu -- “BINDHI MASAALA”.
It is matter of serious wonder how one cannot differentiate between 'BINDI' and 'BINDHI'.

And of course, there were many more…

2) Messages from the government are certainly, of a class of their own (especially those issued in public interest). On a recent trip to Coorg with my cousins, there was one particularly interesting message we encountered on a road that, in all honesty, needed no directions suggesting warning. From a huge uncut stone, stared the words –

"GO. SLOW WORK IN PROGRESS."

And there!! Whether by slip of the unlearned painter’s brush, or, by his compulsive propensity for satire and commitment to The TRUTH- told with either the unflinching candour of a zealot, or the mysterious delight of a subliminal messenger-artist (depending on the receptivity and/or perspective of the viewer), these words said it all…

“CARRY ON OH! TRAVELLER OF DISTANT LANDS…
WORK IS IN SLOW PROGRESS”.

3) This special talent, however, is not copyright to the government alone. Internationally renowned lounge, TRANSIT (in Bangalore) - home to many brands (big of their own right), declares proudly at its entrance

“OUTSIDE EATABLES NOT ALLOWED”

, followed by,

“OUTSIDE EATABLES WILL BE PROSECUTED.”

Wherever you are, whatever you’re doing, however old you might be, if you’re thinking you “should be doing something intellectually stimulating, something that stirs your soul, something elevating, THIS might just be your calling—become a Foods Rights Activist.
It’s the future!!! Not only can you hitch a ride on a huge brand (like Transit), but work for sommme really ‘novel’ noble cause.

4) A close cousin to the TRANSITional tale was one I saw at a tea estate in Coonoor. At regular intervals along the fence hemming the fragrant, green, stepped blanket, was a signboard which said

“TRESSPASSERS WILL BE PROHIITED”

I thought I’d much rather have just put up a board that said

“BEWARE OF DOGS”
...Or the likes of it.

5) All the same, it is not against the rule to witness signboards with an uncharacteristic marriage of wit and sense…like this one I saw on a highway,

“DRIVE LIKE HELL…
AND SURE, YOU’RE ON YOUR WAY.”

(And this is not the only one.)

6) Sometime back, on a journey by a Bangalore public transport bus (an experience, typically sleepy, of all services in this town), as I sat, face directed aimlessly out of the window, my empty gaze fell upon something unbelievable…something compendious…climactic!!! Along the naked compound wall of an empty piece of land, ostensibly to be built over, were alternatively written, the lines

“NO URINE PASS
100 Rs. FINE”

And

“URINE PASS WILL BE PROHIBITED”

This message (the second), at best, translates to
“PASSING URINE WILL BE PROHIBITED”

And if this is anything to go by, the largest functioning democracy has something serious to ponder over, indeed!!!

Cheers guys, Subu.

P.S.
1) I'm sure you've seen a lot o' them. Bring 'em on.
2) To all those passionate Bangaloreans, I apologise for calling it a 'town'. But thats what I think it is!!
3) I thought I might also include a tailpiece on vandalism...like the boys who wrote atop their restroom-door in sommme college..I don't know which,
"MORAJI DESAI JUICE CENTRE".
Hahaha. But then...

Sunday, January 29, 2006

!!!noitavreser no SNOITAVRESER

Man is both- an animal, and much more…And exists, thus, at both levels, with varying degrees of ‘mix’ in his persona. Most often, when people tend towards one extremity, they let the pendulum swing to the other extremity as a means to counter…to neutralize. This response doesn’t quite stop with individuals, but can be, as it is in most cases, collective. The animal, apart from being responsible for life in a very rudimentary sense, has been the perpetrator of murder, rape, pillage...oppression. And his worthy counterpart has played them all- from protector…to sympathizer. It would therefore be severe injustice to say unbridled freedom and suicidal altruism coexist. They make each other possible!!!

The only moral obligation for man, when either he, or, one of his kind is subjected to oppression, is to fight for liberation and NOT payback in the same coin, for liberation begins (and actually lies) in the mind before any physical manifestations can be seen or felt. Hence, to give “the underprivileged” privileges to free them from their oppression would not only make them “privileged” in the long term (if the exercise is really successful in the specific sense of the term), but keep them locked in the despicability of hate, and the exasperation of a volitionally cultivated and feigned ignorance.

And here we have today…

The woman fighting against “discrimination against women” who has become a victim of the ignorance that causes one to be a perpetrator of it; the woman fighting for liberation from the oppression wrought on them by the non-sensical nature of “man” claiming superiority over the “woman” on grounds of being the stronger sex, now staking her rightful claim to special privileges for being the weaker sex. Liberated, she sure is...from common sense, teeth and truth!!!

The champion of Daliths rights fighting for the dalith only on pure grounds of his being a dalith (just like the Brahmins who claimed superiority on grounds of simply BEING Brahmins), and not for the human that the dalith is- who rightfully deserves a certain degree of respect on virtue of being so.

… The union leader fighting for workers’ rights, the peasants, the rich, the lawyers, the doctors, the hoteliers, the minority, the majority…all fighting for themsleves...with themselves.

And irony, as always, brings a smile- bitter or otherwise. We have the animals’ rights activist fighting for animals that haven’t a voice and human rights activists pleading the cause of animals in human form.

Empowerment is the process of bestowing people with the power to take decisions that affect them and their surrounding environments. The essence of empowerment is the generation of independence and not lasting dependencies. It is a process in continuum and not an end to be reached. If ever viewed as an end, it needs rightly to be referred to as an ‘endless end’. This is not to deny that itchy corners do tend to merge with the surroundings as one steps back to view the larger picture. BUT THEN, of what consequence is any macro perspective if it cannot elevate the individual??!!??!!

Reservation, most successfully, converts the straight line of discrimination into a vicious circle by a crude and abrupt reversal of the direction of flow of injustice, which would soon reach critical momentum, leading to the inevitable “STRUGGLE” that would see the victor script history and loser wait in the safe knowledge of how the wheel turns!!!

Cheers fellas.
Subu.

P.S.
This is not a personalized attack on any person who's part of any of the movements mentioned in this text. Nor a defamatory declaration on them. It is to bring out a certain distinct possible thread running through the minds of individuals who are part of/ benefit from such movements.

Wednesday, September 28, 2005

The "Dead-end" ends..!!!

After a rather longish hiatus, I'm back-- to announce the conclusion of this series, titled, "The Dead-end Argument". The purpose of ths series was to bring to the fore, the necessity of opening our minds to approaching issues/arguments from all possible angles and fronts, based on logic and reason; to take stands, but still be able to acknowledge the opponents cause and perspective; to be individualistic in thought, but still make room for "subjectivity of perception", ( for, individualistic thinking, no matter how objective, is/turns, at some point, subjective.)

This series, in terms of what it stands for, was neither created, nor concluded on this page, as it has been an eternal source of discomfiture to us, and 'our kind'...and will continue to be so. I have only given it a name- a physical form.I am happy to let u know I have stood to gain from this excercise through your intelligent and receptive responses( well, some of 'em) and hope you have the same to say to me. Cheers guys. Seeya soon.

Regards, Subu.

Friday, July 01, 2005

(3) 'The VILLAGE'--the MOVIE, its METAPHOR..and RELEVANCE

To expound on this theme has been a ten-year long desire…and to write a post on it, a want as old(or young) as this blog. But the cue, admittedly, to view this as an argument of the ‘dead-end’ variety, was taken only from a reading of my friend Vikram’s review of the movie-‘The Village’ (@ www.tatvamazi.blogspot.com)---not what he HAS written…but what he HAS NOT.

‘Night’ Shyamalan has, right from the start, shown a penchant for capturing fear ‘on reel’ the way it is experienced ‘in real’, and in the process, making the viewing experiential by transferring the fear into the viewers’ minds…in a manner that has never been done before.

This movie would be no exception to his earlier attempts as its mainstay is ‘fear’…and how it can be used as a deterrent to many a questionable activity, with proven results…but how it hits directly at the root of Man’s greatest of powers—‘The FREEDOM TO CHOOSE’.

The story unfolds in an idyllic VILLAGE setting where people live a life of ease ,doing just what they desire to…with just as much as is required—a life of ‘innocent happiness’…an 'innocence', consciously and carefully protected.

The WOODS in the movie represent the ideological barrier not to be crossed, for individual and collective good. The mind’s ability to grow fear(like confidence) with suggestion –both external and internal, is beautifully depicted through the game played by the boys in the village—Standing atop a log of wood with back to the woods, as a test of courage…Their inability to do so is a classic portrayal of human insecurity about anything beyond one’s field of vision. Anyone who has cared to observe how differently they think, with the lights on, at night…,from the way they do in event of a power failure, would testify to this fact.

Even as one daring young woman, in an act of extraordinary courage, tries to fight her fear, which has gathered a frighteningly large momentum(despite the secret being divulged to her)…,the unwillingness of the boys accompanying her, to cover distance, for a fear of the forbidden unknown —that was actually ‘cultivated’ with better intentions in mind, clearly shows the darker side of compromising on the truth whatever the intentions might be.

As Shyamalan takes you through the woods with the young woman, he passes her fear on to the viewers with some breathtaking camera work- as each new sight and sound seem living proof to believing in the the fear, and all that it stands for (;all this, despite the fact that the viewer knows through the character about the fictitious element in the fear).

While those who gave the woods an entirely new dimension in life, live within the confines of this reality,…every loss, and the eventual backfiring in the form a mentally challenged youth renders the entire merit of such a living, questionable.

We have our fears! We know how they come…and how they stay!...and yet, we impart fear through various new ways and forms in ourselves and others…many a time, with higher ends in mind.
…Is it that we haven’t better options…,or is it just that we shut our eyes on them??? Are we being farsighted…,or myopic in the attempt??? Should we cultivate discipline through instilling fear…or celebrate MAN’S FREEDOM TO CHOOSE???

………DEAD END!!!...???...!!...??...!..?

cheers.